AAR EDITION INTERNATIONAL

Integrated creation of idea, sound and tone
in the musical force-fields
Synthesis of idea, sound and tone in the musical process
of creating – 7.2.1.01.00

SEMINAR

   7.2.1.01.01
Integrated creation of idea, sound and tone at the transition from the
force-field of our self-awareness to the force-field of our intellect

  
   7.2.1.01.02
Integrated creation of idea, sound and tone at the transition from the
force-field of our intellect to the force-field of the musical harmony-space

   7.2.1.01.03
Integrated creation of idea, sound and tone at the transition from the
force-field of the musical harmony-space to the force-field of our feeling

 
   7.2.1.01.04
Integrated creation of idea, sound and tone at the transition from the
force-field of our feeling to the force-field of the musical sequence-space

   7.2.1.01.05
Integrated creation of idea, sound and tone at the transition from the force-field of the musical sequence-space to the force-field of our understanding

   7.2.1.01.06
Integrated creation of idea, sound and tone at the transition from the
force-field of our understanding to the force-field of the musical motif-space

   7.2.1.01.07
Integrated creation of idea, sound and tone at the transition from the
force-field of the musical motif-space to the force-field of our hearing

   7.2.1.01.08
Integrated creation of idea, sound and tone at the transition from the
force-field of our hearing to the force-field of the musical sound-space

   7.2.1.01.09
Integrated creation of idea, sound and tone at the transition from the
force-field of the musical sound-space to the field of our inner voice

   7.2.1.01.10
Integrated creation of idea, sound and tone at the transition from the field of our inner voice to the force-field of our mind

   7.2.1.01.11
Integrated creation of idea, sound and tone at the transition from the
force-field of our mind to the field of our neurophysiology

   7.2.1.01.12
Integrated creation of idea, sound and tone at the transition from the field
of our neurophysiology to the force-field of the acoustic space

 

© Aar Edition International, 1986

 

STUDY OF MUSIC
STUDY OF THE INNER FORCES
OF MAN

Foreword

STUDY OF THE SYNTHESIS IN THE MUSICAL FIELDS
OF KNOWLEDGE

Seminar Series 7.2.1.01.00 – 7.2.1.13.00

Creation of idea,
sound & tone

Creation of idea,
voiced consonant & sound

Creation of iIdea, unvoiced consonant
& tone

Creation idea derivation,
the formants & the overtone spectrum

Creation of idea,
the vowel & the tone

Creation of overtone mechanics of the idea, the sound & the tone

Creation of the decays
of the idea, the sound & tones

Creation of the attacks of the idea, the sound & the tone

Creation of the aperiodic Idea chain
& the aperiodic vibrations of sound
& tone

Creation of the Idea sequence & the
wave sequences
of sound & tone

Creation of the periodic Idea chain & the periodic vibrations of sound & tone

Creation of the Idea derivation & the overtone spectra of sound & tone

Creation of basic Idea, basic sound & basic tone