What can
we learn from this?
First of all, in these aphorisms we can get to know the disturbance of natural
harmony by space-time-shifts, i.e. the natural basis of all problems which
we nowadays encounter between people.
Listening reveals to us that the tonal deviations and/or dissonances between
neighbouring generations are only of a minor nature, and increase with further
generations.
There are always tonal connecting points between generations. The neighbouring
generations have more tonal connections the more distant fewer. From
this insight into the microcosm of music, and the natural family relationships,
the whole field of Music and Education finally grows.*
These Meditative Aphorisms reveal archaic dealings with the phenomenon
Harmonics as do the Zen-Symphonies and Hymns,
as well as the symphonies and hymns of The Great Stream.
The Art of the Feminine, the Hymns of the Dome, the
Violin Concertos, the Piano Concertos, the Metamorphoses
etc. show the solution of the European classical musicians for the phenomenon
of natural harmony one would like to think, more academic dealings
with the space-time-shift in contrast to the archaic dealings, as we
also find in the laws of harmony of the microcosm of music in exactly the
same way.
A synthesis of that archaic presentation of the laws of harmony of the microcosm
of music, and that more academic European application are particularly demonstrated
by the work of the groups Meditative Life. Here, we are shown
the completely natural harmonious archaic dealings of the different groups
in contrast to the Meditative Aphorisms, which is all about
the presentation of the problematic nature of human generation problems
and/or the cosmic space-time-shift in thinking and in our consciousness.
cmg INSIGHT INTO THE MICROCOSM OF MUSIC | |
Soprano
Solo, Alto Solo, Baritone Solo, Bass Solo, Choir archaic strings, woodwinds sound bowls, bells, brass didgeridoos, drums | |
Peter Hübner Meditative Aphorisms Instrumental Orchestra No. 1-5 Label: Harmony Expansion playing time: 5h 2935 | |
© A A R E D I T I O N I N T E R N A T I O N A L 2001